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Sex 04 Nov @ Hardclub *** Saiko Pod ***


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Td de bom para vcs e divirtam-se!

Fiquem bem...

 

" A felicidade vive não fora de nós,onde geralmente a procuramos,mas sim dentro de nós,onde raramente a encontramos... "

 

www.en-sof.org / www.node3-records.com

 

www.myspace.com/souljackers01

 

www.myspace.com/ensofproductions

 

Ketelf@hotmail.com

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Antecipação do Srº Sérgio .... ia fazer o mesmo comment .... mas realmente o nick e o dia fazem um trocadilho engraçado ....

"A verdade é única, embora os sábios a conheçam como muitas."

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e afinal quem vai ao Hard??algum camarada da capital vem cá acima?

ora nem mais, festa no hard pegadinha à festa de electric universe <_<

Nothing happens unless there is first a dREAM

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e afinal quem vai ao Hard??algum camarada da capital vem cá acima?

ora nem mais, festa no hard pegadinha à festa de electric universe <_<

é muito bem! :)

 

e tambem dia 4,Young Gods no Hard! :diabo: :diabo: :diabo:

Este post não foi escrito ao abrigo do novo acordo ortográfico.

 

Terapia 66 2010-08-04

http://soundcloud.com/terapia_66/t66-2010-08-04

 

 

Última faixa escutada:

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exxtra large apresenta:

 

SAIKO POD live! [AC/DC | Solstice] DK

 

GORDON SHUMWAY + Tiago Calvário(synths) live! + dj set [Domo recs.] PT

 

entrada: 10€

doors open: 3am

 

Saiko Pod:

TWENTY YEARS OF MAKING NOIZE: IAN ION BIOGRAPHY

 

Ian Ion (born 1966 in Copenhagen) started early getting into music, playing guitar at first. At

fifteen, in the middle of the punk and new wave era, Ian got hold of a Korg synthesizer, started

playing around and soon turned towards electronic music. In 1984 he formed the group Russia Heat

(as Ian Maria) and released a very successful twelve-inch. Meanwhile, Ian was doing training as

recording and production at the first electronic music studio in Copenhagen. Another single

followed, and in '87 Ian was approached by Rune B and Dick D'Press to form the group The

Overlords that was to change the Danish music scene forever.

 

With The Overlords, the threesome devised a very media and music conscious formula, mixing

futuristic productions with hard-hitting images. The music, a blend of rock and electronica, was

presented to an unsuspecting audience on the Roskilde Festival's Green Stage in the summer of '88,

coinciding with the release of The Overlords' first album. The band made headlines and gave a lot

of interviews.

 

After a trip to Goa in 1988, Ian found a new forum for dance music. And after signing with front-

runner techno label, Antler/Subway in Belgium, The Overlords released the classic, Sundown, that

brought the band worldwide recognition and gave Ian the chance to work with many different artist

including Blue Pearl, Billy Idol, Traci Lords, Sven Väth, Miro and Dr. Baker. Some of these

collaborations brought Ian gold disks and chart positions all over the World.

 

Meanwhile, Ian set up his own studio in central Copenhagen called The Grooveyard. Here he met

psychedelic outfit Koxbox, who quickly started working with him to produce a very distinct sound

that was instantly recognized on the underground scene.

 

In 1993 Ian (by now known as Ian Ion) started working on what was to become the last Overlords

album: "All The Naked People" for BMG sublabel Habaña. While this brought a wider audience to

their music, the band felt the pressure from having too many decision makers involved in the

marketing and the band split up, leaving Ian free to concentrate on what he likes best: making and

producing music and playing live without restraints.

 

Soon after, in 1995, Ian started recording the new Koxbox album "Forever After" for Sven Väth's

Harthouse label. This is by now a true classic on the psychedelic scene, a mixture of interesting

music and pristine production. On the back of its success, Koxbox did live shows all over the World

incl. Europe, Asia and the US.

 

The same year Ian started working for the Roskilde Festival as sound producer for their electronic

stage and Ian was invited to come up with brand new ideas for presenting dance music live. What

came to follow is probably one of the most advanced sound and vision setups ever, paid for by

90.000 festival guest and by now quite an institution in Northern Europe, having presented an

impressive roster of contemporary electronic music ranging from Leftfield, Orbital, Björk and

Underworld to obscure debutantes.

 

In 1996 Koxbox signed with London-based Blueroom Released label and started working on their

new album. Meanwhile, Ian did different projects for Virgin Records and others and formed a new

power-unit with Koxbox member Frank'e: Psychopod and signed to another London label, T.I.P.

Records.

The same year Ian, who always been interested in the ethereal, started working on the spiritual

music project Sri Hari. A welfare project where the proceeds of the 250,000 copies sold went to

building an alternative city outside Calcutta.

 

1997/98 saw more diverse projects, the release of the Koxbox album "Dragon Tales" and music for

the Earth Dance project, new Psychopod singles and the ongoing work for Roskilde Festival. At the

same time Ian started doing music for the European film "Pusher’’

 

Trying to devise a new formula for his work, Ian came up with the "One But Different" CD for Sri

Hari. And at the same time, Ian was asked to do the complete sound track for the independent film,

A Sign, a work that brought collaborations with African musicians, fellow Blueroom artists Total

Eclipse and an Eskimo singer to produce the background for a very intense story about a big-city

youngster caught up in his headspace.

 

In 1998 Ian Ion also produced his first ambient album under the name Former High Priests of

And/Or. A project that was continued in '99 with the album "Space 1999".

 

The turn of the millennium saw a continuation of Ian's work: music for the Hollywood film

"Bullfighter" (starring Willem Dafoe, Jarred Harris, Olivier Martinez and Michelle Forbes),

producing two pop singles for EMI and in between traveling across the globe twice to perform live,

Ian and Frank’e released the third Koxbox album ‘‘The Great Unknown’’, which set a new trend for

progressive psychedelic trance together with rewarding sales.

 

In the same year Ian was asked, together with Jean Michelle Jarre, by Danish audio and video

manufacturer, Bang & Olufsen to come up with an audio-visual concept for their shops worldwide.

The resulting white paper spurred consulting work for Digistreams, a new IP-based radio station out

of New York.

 

While the world turned 2001, Ian started work on a new album with the intent of cross-pollinating

the cool club scene with the wild psytrance sound. The result marked the advent of Saiko-pod: a

deep solid beat with swirly sounds on top. Saiko-pod immediately caught on with many trance

labels around the World, that released tracks from the forthcoming album and in 2002 the album

was released by Solstice Music, Japan and Spiral Trax in Europe.

 

With Saiko-pod, Ian also found an outlet for progressive house music and the subsequent remixes

found their way into many top UK DJs’ record bags.

 

In the Spring of 2003, Ian played a number a big gigs around the World and at home saw the birth

of his first child, Havana Sita to his Australian wife, Monica. Soon after, Saiko-pod played with DJ

Sasha at The Fuji Rock Festival in Japan and to massive audiences at the Optimus Hype Meco

Festival in Lisbon and the Samothraki Dance Festival in Greece.

 

2003 also saw Saiko-pod released on Seb Fontaine, John ‘‘00’’ Fleming and Sander Kleinenberg

compilations, a Saiko-pod remix of Japanese Punk-star ‘‘Hide’’, work on fellow trancester, Atmos’

2004 album and a track for the Sony Playstation game ‘‘Gran Turismo 4’’.

 

Next year, Ian Ion can celebrate twenty years’ as a recoding artist without having retorted to the

tedious or predictive, but as Ian says: "Onwards towards the future, let's see what the stars will

bring, but remain sure that I won't rest on my laurels..."

 

 

Gordon Shumway:

 

Miguel Enes

a.k.a. Gordon Shumway

 

 

Miguel Enes, nasceu em 1985 na cidade do Porto. Iniciou-se na informática aos 4 anos, quando começa a manusear uma ZX Spectrum e uma Commodore Amiga para jogar.

 

Mais tarde, interessa-se pela manutenção de hardware e software através do seu pai que lhe começa a transmitir este tipo de conhecimentos. Aos 15 anos frequenta um curso de técnico de hardware no instituto Ciências e Letras no Porto, que finaliza com a classificação de 17 valores.

 

Mais ou menos na mesma altura, apaixona-se pelo mundo da música electrónica, em parte influenciado pelas tendências musicais do seu irmão mais velho. Juntos trocavam ideias, e sons, o que os leva a investirem em equipamento para criarem um estúdio em casa, onde pudessem misturar e treinar. Durante um ano praticou sem cessar, principalmente Trance progressivo, e algum psicadélico.

Em meados de 2000 conhece Manuel Faria, aka, DJ JamesBong (actualmente label DJ da Apocalypse Records, Portugal) e juntos praticam o djing em casa e em alguns bares da baixa do Porto, até começarem a ser convidados para festas de Trance Psicadélico ao ar livre, de Norte a Sul do País, Miguel actua sob o nome de DJ Nävel.

Surge então o seu primeiro projecto de produção, Melmac – inspirado na série de TV (como todos os nomes do seus projectos) “ALF, o Extraterrestre”.

 

Em -2002- é convidado a fazer parte da direcção da En Sof, grupo de promoção de dj’s/produtores nacionais, dedicando-se ainda a produção de eventos musicais diversos – do chillout, passando pelo house progressivo até ao trance – sendo por isto conhecida a nível nacional e começando a ganhar alguma projecção internacional.

 

Miguel, começa a expandir apetências e gostos, encontrando-se actualmente a fazer vários estilos de música, como o house progressivo, breakbeat e até techno-trance... os seus primeiros live acts surgem sob uma nova identidade: Gordon Shumway, assinalando assim o momento de viragem na sua carreira de produtor.

 

Em 2004 editou uma musica pela label americana fiberlineaudio.com, sendo este um projecto sem continuidade...

 

Até que, mais recentemente foi convidado por Nadi Nahimoff a fazer parte da conceituada label de Trance Progressivo Domo Records e a editar pela sua sub-Label de House Progressivo Tupan Records.

Como DJ-Produtor, associou-se também à produtora de festas Men@work que o promove e agência nos locais da noite mais conceituados nas cidade do Porto como, Hard Club, Swing Club, entre outros.

 

Actualmente Miguel considera-se um produtor sem preconceitos. Assimilando todos os estilos de música que ouve numa só: aquela que se encontra a produzir no momento.

 

 

Review do editor do site

www.music.download.com

 

"Portugal's Gordon Shumway energizes the dance floor with his unique brand of progressive tribal club music, subtly electrified with a twist of psychedelic finesse. Working a hair-raising fusion of gradual filter sweeps and resonant electronic beacons with understated house elements, his tracks magnetize the crowd with a relentless pulse of tribal percussion-driven beats and synced atmospherics."

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ok tao a dizer q dia 5, á la trance progressivo, com diogos e kês ... mas e saikopod? não vem mesmo? ;|

tqUuon963497-02.jpg

: Fernando Hood :

Music Released

..

Live Acts:

Altering Perceptions

http://www.myspace.com/alteringperceptions

The Smiley Pixie

http://www.myspace.com/thesmileypixie

albums: "Free music for free people" ; "CHillout moods to urban grooves(soon)" Somethings Sacred (soon)"

..

other performances: VJ Set (video animation) & Dj Set (Psychedelic Trance, Progressive, Ambient & breakBeat)

..

Other Projects:

Compilação "Transatlantic CHillout" www.myspace.com/transatlanticchillout

Cosmic Fusion - Psychedelic Events in Ireland COSMIC FUSION - GALWAY IRELAND

Goagadar Psy-Culture Magazine http://www.goagadarmagazine.com

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